Michael Snow Movies

A dual-projection film where each director made 30 minutes of film without knowledge of what the other was making. Snow's side is a visual...

A young woman stands by a car while scenes from metropolitan life flash by.

Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.

MICHAEL SNOW UP CLOSE was produced on the occasion of The Michael Snow Project, a major, career-spanning, multi-venue retrospective of the artist....

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second...

This is the sound recording of the interview that Michael Snow, filmmaker, sculptor, photographer and visual artist, gave to Gérard Courant...

"Homage to Michael Snow's environmental sculpture 'Blind.' The film proposes analogies, in imitation of three historic montage styles, for three...

Michael Snow narrates a series of Hollis Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a...

A continuous zoom traverses the space of a breakfast table, serving as a grand metaphor for indigestion.

A 1971 experimental Canadian film directed by Michael Snow. Shot in the Canadian mountains over a period of 24 hours using a robotic arm.

A shorter, significantly altered version of Wavelength (1967), where the original film is overlayed upon itself.

A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera...

Puccini Conservato uses a CD, a sound recording of some Puccini music (from La Bohème). The source of the sound (the loudspeakers) in a...

"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my...

To Lavoisier Who Died in the Reign of Terror (1991) is a collaboration with filmmaker Carl Brown, who specializes in homebrewed chemical film...

Portrait of Michael Snow

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

Experimental short in which a camera pans quickly in a small apartment space; Disembodied voices speak of audience engagement.

Using concert footage of the free-improvisation ensemble he co-founded in 1974, Snow digitally weaves together images and sounds from performances...

Solar Breath (2002) is a 62-minute loop of fluttering curtains that reveal and conceal an idyllic landscape in rural Newfoundland.